Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Q&A: Melissa Allan

Post Thumbnail

Former Banchory Academy pupil Melissa Allan talks to Cheryl Livingstone about her professional debut

 

CAN YOU TELL ME WHAT OUR LADIES OF PERPETUAL SUCCOUR IS ABOUT?
It’s about six Catholic schoolgirls and their school choir. The play is basically about the day they go to their school choir competition in Edinburgh, but they are a bit mischievous and don’t really want to win or anything. They just want to have a fun time. That’s basically what happens on the day and night of when they are supposed to be at the competition.

I UNDERSTAND IT IS BASED ON THE ALAN WARNER NOVEL, THE SOPRANOS. HAVE YOU READ THE BOOK?
I read the book in the lead-up to the show but I hadn’t read it before.

AND WHAT DID YOU THINK ABOUT IT?
I thought it was hilarious.

HOW CLOSE TO THE BOOK DOES THE PLAY STAY?
A lot of things are really heavily based on it, but there are a lot of different things involved in our play.

ONE THING PEOPLE CAN EXPECT IS SOME SONGS. HAVE YOU ENJOYED THAT ELEMENT OF THE ROLE?
I started with singing so it’s been awesome. I didn’t realise we’d get to do as much singing as we do. It’s great because we get to do a mixture of the pop and the classical stuff. I like singing classical but I love to sing pop as well. It’s so much fun.

SO CAN YOU TELL ME ABOUT THE CHARACTER YOU PLAY?
I play Orla and she is kind of like the baby of the group and the youngest-looking one. She’s a bit naive and doesn’t know as much as the other girls. Something kept her behind in life when she was younger but obviously now she’s still pretty mental as the other ones and still wants to have as much fun. She is mothered by a lot by them and gets on really well with all of them, but I think her best friend is probably Amanda. All the girls have to deal with their own issues throughout the play and, through that, Orla proves she is really brave and just gets on with things. She doesn’t let things bother her.

DO YOU RELATE TO HER AT ALL?
Yes, definitely. When we were auditioning for it, they asked us who do you most relate to and I said Orla straight away because I feel like I’m playing almost myself. I don’t let a lot of things bother me, so I think we are quite alike.

WHAT HAVE YOU ENJOYED ABOUT PLAYING ORLA?
Just really all of that and, quite like in real life, I am the baby of the group and everyone’s a bit more experienced in life, so it’s really good and really relatable to us as girls anyway.

ANY CHALLENGES?
Surprisingly, actually it was really funny to speak in my normal accent. I’m not that used to it because any time I’ve done things in the past it’s never really been a Scottish accent that I’ve needed. So that has been quite funny. Normally when you read a script you are thinking about your voice and what accent you are going to use but that’s been quite difficult in that sense.
It’s a hard piece but we don’t realise it when we are rehearsing it. The people we are working with are so much fun and they don’t act as if we’ve done anything wrong. Everything is good.

THIS IS YOUR PROFESSIONAL DEBUT. HOW ARE YOU FEELING ABOUT THAT?
Well, something has got to be your first, and this is an absolutely amazing thing that I am doing. I can’t believe I get to do this as my debut with all these amazing people teaching us and working with five girls who are awesome. I am pretty nervous but there’s no time to think about that. It’s not worth being nervous; it’s not going to make the performance better so I’m more excited than anything.

If you want to see Melissa and the rest of the cast, National Theatre of Scotland’s production of Our Ladies of Perpetual Succour will be at the Lemon Tree, in Aberdeen, on September 15 and 16.