Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

REVIEW: The Stranglers thrill jubilant fans with classic gig at Aberdeen’s Music Hall

The Stranglers performing at Aberdeen Music Hall. Picture by Kami Thomson.
The Stranglers performing at Aberdeen Music Hall. Picture by Kami Thomson.

“It’s a cold Thursday night… that must mean we’re in Aberdeen,” bellows Baz Warne, guitarist of The Stranglers, from Aberdeen’s Music Hall stage to the adoration of the crowd.

This gritty band of outcasts have been playing for nearly 50 years. But judging by their latest Aberdeen performance, they still hold plenty of their trademark musical exuberance.

Original member Jean-Jacques ‘JJ’ Burnel. Picture by Kami Thomson.

Safe and sound

The Stranglers were among one of the first music acts to grace a Granite City stage this year as they began their farewell UK tour, coinciding with the easing of Covid-19 restrictions on live events in Scotland.

Safety was paramount at Aberdeen Music Hall on the night from entry to exit.

Face masks and plenty of hand sanitising stations were in full view throughout the venue, making for both a comfortable and memorable sell-out experience.

Support band Ruts DC – John ‘Segs’ Jennings. Picture by Kami Thomson.

Solid support

Where some support acts fail to draw up the ante for the main event, fellow punk era exponents, Ruts DC, set the tone perfectly and almost outperformed their touring counterparts.

The London trio were coherent from start to finish. Babylon’s Burning, their best-known hit, gained a widespread chorus of toe-taps and head-nods from the crowd.

Guitarist Leigh Heggarty’s skillful playing along with the band’s graceful three-part vocal harmonies (who would’ve known this could exist in punk?) made Ruts DC a support well worth coming down early for.

Support band Ruts DC. Picture by Kami Thomson.

The Stranglers

Various line-up changes have graced The Stranglers over the years with bassist, Jean-Jacques Burnel, the only remaining founding member of the band as they hit the road on what is billed as their final full UK tour.

This posed a few questions as the four-piece took to the stage: Would fresh faces bring them a new edge? Would they lose any of their authenticity? And, most importantly, could they find a way to continue without their inimitable keyboard virtuoso, Dave Greenfield, after his passing in May 2020?

The Stranglers in concert at the Music Hall, Aberdeen. Jean-Jacques ‘JJ’ Burnel (left, bass) Baz Warne (right, guitar). Picture by Kami Thomson.

As the first few tracks echoed out, JJ’s gnarly bass sounded as nostalgic as ever while Toby Hounsham stood up to the task of filling Greenfield’s boots with great ability on keys.

Known for their infamously raucous behaviour in their early days, Baz best represented The Stranglers’ biting attitude with a profanity-filled welcome to the north-east crowd while also showcasing a close resemblance to original member, Hugh Cornwell’s, distinct vocal twang.

The Stranglers’ Baz Warne. Picture by Kami Thomson.

Exploring new ground

Speaking to the Press and Journal recently, JJ said: “Life’s too short to play it safe all the time.”

The band’s openness to play newer, more cinematic and futuristic material for most of the first half of their performance displayed their belief in this ethos.

Some of these tracks may have fallen a little flat on the night, but from a stage lighting point of view, these provided some of the most impressive visual displays of the concert.

Old favourites

Always The Sun marked a turning point as mantra-like chants ensued from the Doc Martens cladded veterans at the front all the way to those taking it easier at the back.

Peaches and Golden Brown – the band’s most widely acclaimed singles – were then soon played back-to-back with the crowd going wild.

The Aberdeen crowd lapped up the band’s popular hits. Picture by Kami Thomson.

Though JJ’s bass thrilled in Peaches, the spirit of Dave Greenfield was palpable as Golden Brown’s unmistakable harpsichord keys filled the room, marking the real highlight of the night.

Walk on By and Hanging Around were met with further jubilation towards the end of the set as the band later set off for not one, but two contrasting encores.

The first saw JJ take to acoustic guitar, accompanied by Baz on electric, for two sombre tracks including the heartfelt tribute to Greenfield, And If You Should See Dave.

The second gave the crowd what they wanted: A further two energetic numbers with finale, No More Heroes, raising people from their seats, throwing their hands in the air and singing to their heart’s content.

The band finished on a high with No More Heroes. Picture by Kami Thomson.

A final hurrah

Admittedly, there’s a sense of magic that’s sometimes lost when bands perform without their original line-ups.

Did the authenticity of The Stranglers’ Aberdeen performance suffer as such? Maybe just a slither.

But progress isn’t possible without change and in no way did this overshadow what was undoubtedly a memorable, sell-out event.

If this is to be The Stranglers’ last UK tour, those in attendance at Aberdeen’s Music Hall witnessed the last remnants of one of the country’s most influential groups of the last five decades.

And that is definitely worth cherishing.

Check out our picture gallery from the gig below:


You might also like…